[3/22/2011] Thurber Tonight: Part 1 of "Lavender with a Difference" -- presenting the irrepressible Mary Fisher Thurber (continued)
Thurber described this photo as (in 1952) "a recent picture of the house at 921 South Champion Avenue, which was either on fire or full of dogs or something at the turn of the century." Yes, this is the setting for those wild adventures chronicled in My Life and Hard Times! (For our My Life and Hard Times readings, check the "series to date" listing.)
Lavender with a Difference
Part 1 of 3
BELINDA WOOLF telephoned my mother at the Southern Hotel in Columbus one morning three years ago, and apologized, in a faintly familiar voice, for never having run in to call on her. Something always seemed to turn up, she declared, to keep her from dropping by for a visit, and she was sorry. "I've thought of you, Mrs. Thurber," said Belinda. "I've thought of you every day since I worked for you on Champion Avenue. It's been a long time, hasn't it?" It certainly had. Belinda Woolf was only twenty-three years old when she came to work for us as cook in the Spring of 1899, and she was seventy-three when she finally got around to calling her former employer. Exactly half a century had gone by since my mother had heard her voice. Belinda had thought of telephoning for more than eighteen thousand days but, as she indicated, more than eighteen thousand things had turned up to prevent her. [According to Thurber, the photo shows Belinda around the time of the shooting episode. -- Ed.]
About a year after Belinda's appearance out of the past, I went to Columbus, and my mother and I drove out to see her. She is now the wife of Joe Barlow, master carpenter of the Neil House, where Charles Dickens used to stay, during his western trips a hundred years ago. [We had a picture of Neil House in Part 1 of "Gentleman from Indiana," Thurber's "recollection" of his father, Charles L. Thurber. -- Ed.] In fifty years Belinda had not wandered very far. She was living only two blocks from our old house on South Champion Avenue. The weather was warm and we sat on the verandah and talked about a night in 1899 that we all remembered. It was past midnight, according to an old clock in the attic of my memory, when Belinda suddenly flung open a window of her bedroom and fired two shots from a .32-calibre revolver at the shadowy figure of a man skulking about in our backyard. Belinda's shooting frightened off the prowler and aroused the family. I was five years old, going on six, at the time, and I had thought that only soldiers and policemen were allowed to have guns. From then on I stood in awe, but not in fear, of the lady who kept a revolver under her pillow. "It was a lonesome place, wasn't it?" said Belinda, with a sigh, "way out there at the end of nowhere." We sat for awhile without talking, thinking about the lonesome place at the end of nowhere.
No. 921 South Champion Avenue is just another house now, in a long row of houses, but when we lived there, in 1899 and 1900, it was the last house on the street. Just south of us the avenue dwindled to a wood road that led into a thick grove of oak and walnut trees, long since destroyed by the southward march of asphalt. Our nearest neighbor on the north was fifty yards away, and across from us was a country meadow that ticked with crickets in the summertime and turned yellow with goldenrod in the fall. Living on the edge of town, we rarely heard footsteps at night, or carriage wheels, but the darkness, in every season, was deepened by the lonely sound of locomotive whistles. I no longer wonder, as I did when I was six, that Aunt Mary Van York, arriving at dusk for her first visit to us, looked about her disconsolately, and said to my mother, "Why in the world do you want to live in this godforsaken place, Mary?"
Almost all my memories of the Champion Avenue house have as their focal point the lively figure of my mother. I remember her tugging and hauling at a burning mattress and finally managing to shove it out a bedroom window onto the roof of the front porch, where it smoldered until my father came home from work and doused it with water. When he asked his wife how the mattress happened to catch fire, she told him the peculiar truth (all truths in that house were peculiar) -- that his youngest son, Robert, had set it on fire with a buggy whip. It seemed he had lighted the lash of the whip in the gas grate of the nursery and applied it to the mattress. I also have a vivid memory of the night my mother was alone in the house with her three small sons and set the oil-splashed bowl of a kerosene lamp on fire, trying to light the wick, and herded all of us out of the house, announcing that it was going to explode. We children waited across the street in high anticipation, but the spilled oil burned itself out and, to our bitter disappointment, the house did not go up like a skyrocket to scatter colored balloons among the stars. My mother claims that my brother William, who was seven at the time, kept crying, "Try it again, Mama, try it again," but she is a famous hand at ornamenting a tale, and there is no way of telling whether he did or not.
My brightest remembrance of the old house goes back to the confused and noisy second and last visit of Aunt Mary, who had cut her first visit short because she hated our two dogs -- Judge, an irritable old pug [no,that's not Judge in the photo, just a figurine of some random irritable pug -- Ed.], and Sampson, a restless water spaniel -- and they hated her. She had snarled at them and they had growled at her all during her stay with us, and not even my mother remembers how she persuaded the old lady to come back for a weekend, but she did, and, what is more, she cajoled Aunt Mary into feeding "those dreadful brutes" the evening she arrived.
In preparation for this seemingly simple act of household routine, my mother had spent the afternoon gathering up all the dogs of the neighborhood, in advance of Aunt Mary's appearance, and putting them in the cellar. I had been allowed to go with her on her wonderful forays, and I thought that we were going to keep all the sixteen dogs we rounded up. Such an adventure does not have to have logical point or purpose in the mind of a six-year-old, and I accepted as a remarkable but natural phenomenon my mother's sudden assumption of the stature of Santa Claus.
She did not always let my father in on her elaborate pranks, but he came home that evening to a house heavy with tension and suspense, and she whispered to him the peculiar truth that there were a dozen and a half dogs in the cellar, counting our Judge and Sampson. "What are you up to now, Mame?" he asked her, and she said she just wanted to see Aunt Mary's face when the dogs swarmed up into the kitchen. She could not recall where she had picked up all of the dogs, but I remembered, and still do, that we had imprisoned the Johnsons' Irish terrier, the Eiseles' shepherd, and the Mitchells' fox terrier, among others. "Well, let's get it over with, then," my father said nervously. "I want to eat dinner in peace, if that is possible."
The big moment finally arrived. My mother, full of smiles and insincerity, told Aunt Mary that it would relieve her of a tedious chore -- and heaven knows, she added, there were a thousand steps to take in that big house -- if the old lady would be good enough to set down a plate of dog food in the kitchen at the head of the cellar stairs and call Judge and Sampson to their supper. Aunt Mary growled and grumbled, and consigned all dogs to the fires of hell, but she grudgingly took the plate, and carried it to the kitchen, with the Thurber family on her heels. "Heavenly days!" cried Aunt Mary. "Do you make a ceremony out of feeding these brutes?" She put the plate down and reached for the handle of the door.
None of us has ever been able to understand why bedlam hadn't broken loose in the cellar long before this, but it hadn't. The dogs were probably so frightened by their unique predicament that their belligerence had momentarily left them. But when the door opened and they could see the light of freedom and smell the odor of food, they gave tongue like a pack of hunting hounds. Aunt Mary got the door halfway open and the bodies of three of the largest dogs pushed it the rest of the way. There was a snarling, barking, yelping swirl of yellow and white, black and tan, gray and brindle as the dogs tumbled into the kitchen, skidded on the linoleum, sent the food flying from the plate, and backed Aunt Mary into a corner. "Great God Almighty!" she screamed. "It's a dog factory!" She was only five feet tall, but her counterattack was swift and terrible. Grabbing a broom, she opened the back door and the kitchen windows, and began to beat and flail at the army of canines, engaged now in half a dozen separate battles over the scattered food. Dogs flew out the back door and leaped through the windows, but some of them ran upstairs, and three or four others hid under sofas and chairs in the parlor. The indignant snarling and cursing of Judge and Sampson rose above even the laughter of my mother and the delighted squeals of her children. Aunt Mary whammed her way from room to room, driving dogs ahead of her. When the last one had departed and the upset house had been put back in order, my father said to his wife, "Well, Mame, I hope you're satisfied." She was.
Aunt Mary, toward the end of her long life, got the curious notion that it was my father and his sons, and not my mother, who had been responsible for the noisy flux of "all those brutes." Years later, when we visited the old lady on one of her birthdays, she went over the story again, as she always did, touching it up with distortions and magnifications of her own. Then she looked at the male Thurbers in slow, rueful turn, sighed deeply, gazed sympathetically at my mother, and said, in her hollowest tone, "Poor Mary!"
TOMORROW NIGHT IN PART 2 OF
"LAVENDER WITH A DIFFERENCE"
We learn that young Mary Fisher had wanted to go on the stage. This was, of course, out of the question for her staid family, which didn't know quite what to make of the young artiste. According to her son, "Those of her relatives who drew no sharp line between life and art, the gifted and the mad, and consoled themselves with the hope that marriage would settle her down, could not have been more mistaken." In Part 2, among other adventures, Mary Thurber buys a house, sort of.
UPDATE -- TEXTUAL NOTE: Since the differences between the 1951 magazine and 1952 book versions of "Gentleman with a Difference" became such an issue, I should have indicated that our text of "Lavender with a Difference" is entirely what appeared in book form in The Thurber Album. I haven't even looked at the New Yorker version; perhaps I should have, just out of curiosity.
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